{"created":"2024-05-20T03:45:40.025959+00:00","links":{},"metadata":{"_buckets":{"deposit":"59c62874-cdd6-490d-81f1-77754eaeb60d"},"_deposit":{"created_by":8,"id":"87.7","owner":"8","owners":[8],"pid":{"revision_id":0,"type":"depid","value":"87.7"},"status":"published"},"_oai":{"id":"oai:joshibi.repo.nii.ac.jp:00000087.7","sets":["1:27"]},"author_link":["10","11"],"item_10002_alternative_title_1":{"attribute_name":"その他(別言語等)のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"明治の音楽的美意識と『君が代 ― フェントン作曲、林作曲、2つの『君が代』の比較"}]},"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2023-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"53","bibliographicNumberOfPages":"10","bibliographicPageEnd":"34","bibliographicPageStart":"25","bibliographic_titles":[{"bibliographic_title":"女子美術大学研究紀要"},{"bibliographic_title":"Bulletin, Joshibi University of Art and Design","bibliographic_titleLang":"en"}]}]},"item_10002_full_name_3":{"attribute_name":"著者(英)","attribute_value_mlt":[{"familyNames":[{"familyName":"COSGROVE","familyNameLang":"en"}],"givenNames":[{"givenName":"Simon","givenNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"11","nameIdentifierScheme":"WEKO"}],"names":[{"name":"COSGROVE, Simon","nameLang":"en"}]}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"女子美術大学","subitem_publisher_language":"ja"}]},"item_10002_relation_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"AA11473666","subitem_relation_type_select":"NCID"}}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"コスグローブ, サイモン","creatorNameLang":"ja"},{"creatorName":"コスグローブ, サイモン","creatorNameLang":"ja-Kana"}],"familyNames":[{"familyName":"コスグローブ","familyNameLang":"ja"},{"familyName":"コスグローブ","familyNameLang":"ja-Kana"}],"givenNames":[{"givenName":"サイモン","givenNameLang":"ja"},{"givenName":"サイモン","givenNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"10","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-09-07"}],"displaytype":"detail","fileDate":[{"fileDateType":"Issued","fileDateValue":"2023-03-31"}],"filename":"女子美術大学研究紀要53号2023/03/サイモン.pdf","filesize":[{"value":"6.6 MB"}],"format":"application/pdf","licensetype":"license_5","mimetype":"application/pdf","url":{"label":"女子美術大学研究紀要53号2023/03/サイモン","objectType":"fulltext","url":"https://joshibi.repo.nii.ac.jp/record/87/files/女子美術大学研究紀要53号2023/03/サイモン.pdf"},"version_id":"87ba9cec-eadc-4240-89f3-8b1339ff7e86"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"明治の音楽的美意識と『君が代 ― フェントン作曲、林作曲、2つの『君が代』の比較","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"明治の音楽的美意識と『君が代 ― フェントン作曲、林作曲、2つの『君が代』の比較","subitem_title_language":"ja"},{"subitem_title":"Kimigayo and the Meiji Musical Aesthetic : A Comparative Study of Fenton and Hayashi's Anthems","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"8","path":["27"],"pubdate":{"attribute_name":"公開日","attribute_value":"2023-09-06"},"publish_date":"2023-09-06","publish_status":"0","recid":"87.7","relation_version_is_last":true,"title":["明治の音楽的美意識と『君が代 ― フェントン作曲、林作曲、2つの『君が代』の比較"],"weko_creator_id":"8","weko_shared_id":-1},"updated":"2024-05-20T03:47:11.336880+00:00"}